Rogers has been researching theories around plasticity, particularly those explored  by Catherine Malabou. Malabou writes about ecological plasticity, which is  centered on how an organism relates to its surroundings. Sophie uses digital software including Cinema 4D to create simulations of imagined places and scenes often inspired by world-building practices found in sci-fi. Her work  for Electric Artefacts, The Plasticity Bundles combines CGI imagery of  imagined hybrid creatures with research into the “everlasting synthetic  intrusion on the natural marine ecology” as described by Susan Freinkel in her book Plastic: A Toxic Love Story.