The relationship between culture and technics can be seen as the focal point of Hugo Servanin’s artistic practice. In Regime Selecting Devices (Environnement Foule #6), his first solo exhibition at NıCOLETTı, Servanin presents a new series of sculptures, robots, computers and artificial intelligence, through which the artist reflects upon the mimetic relationship between organic bodies, analogue machines and digital technologies. Conceived as an ecosystem in which a network of pipes, rods and mechanical systems connects all the works to one another, the exhibition navigates an idiosyncratic territory at the confluence of medicine, mythology and pornography.